Ultimately all of the leopard shots utilize VFX, mostly full CG shots, and some enhancements to a puppet on a few close-ups. All safety measures were taken to accommodate working with an apex predator, but getting a leopard to simulate an attack on or drag a human being with a level of ferocity and believability necessary was a bridge too far. They trained him to do certain tasks, growling on cue, or dragging large objects, but on the day, a big cat in an environment with film crew has its own limitations. We did use a real cat and trainers that were brought to set. I have worked with lions and tigers before, but I’d never worked with a leopard. “The leopard and the elephant had significant CGI contributions. Creating CGI animals that were believable for audiences proved to be a daunting task. Principal photography took place throughout South Africa and Kenya for Spencer Dutton’s storyline. The schedule really was our biggest challenge,” Blank notes. And hopefully when we went with VFX, either through use of CG or compositing real animals from separate shoots, you can’t tell the difference. And, it's certainly difficult for a few dozen streaming services to all pull off that trick simultaneously.Blank’s initial conversations with Richardson regarding visual effects largely revolved around animals and how to achieve those sequences. Which means that, while a big hit can bring in tons of revenue in theaters, it's more difficult to pull off the same trick in streaming. Though Disney can make a huge profit as theatergoers return to see Avatar: The Way of Water again and again, once the movie hits Disney+ viewers will only be able to pay Disney once. The problem is, subscribers are not a renewable resource. But, if I know a new series I want to watch is starting next month, I'm more likely to hold on to the membership. If the only new thing Disney+ has to offer is The Mandalorian, I may cancel my subscription. Investing in original programming has been a costly effort to retain subscribers. We rarely keep a service indefinitely, instead picking it up when there's something we want to watch and letting it drop when there isn't. The expansion of streaming from one or two sites into dozens has meant that consumers are paying for their services in different ways. It makes less sense for companies with less devoted fans to expect viewers to pay up quarter after quarter. It makes sense for media giants like Disney, or for niche services like the Criterion Channel to offer streaming services. It’s also as clear a sign as any that the streaming era, as we know it, is coming to an end. Though it has gained subscribers in recent months thanks to cheaper new tiers and big hits like Glass Onion and Wednesday, streaming's heaviest hitter tightening its belt in this way means that the writing is on the wall for the rest of the industry. The company also recently introduced premium and ad-supported tiers to the same end. This is just the most recent measure Netflix has taken to shore up revenue after April 2022 marked the first month the streaming giant had lost more subscribers than it gained in over a decade. (It's worth noting that these new rules were posted to Netflix's Help Center, but have already been removed, so the streamer may be reconsidering its plans or may not be ready to go public with them.) If they don't, they will be blocked and need to contact Netflix to get things back to normal. When the plan takes effect, users will need to identify a primary location for their account, and all devices will need to connect to the owner's home wi-fi network at least once a month. On Wednesday, Netflix shared its specific plans to crack down on password sharing.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |